- Defocus highlights color finesse 720p#
- Defocus highlights color finesse upgrade#
- Defocus highlights color finesse pro#
It also evokes the memory of the Sony F505 through the F717, unusual looking cameras produced from 2000 to 2002. The Sony NEX-5 is more aggressive than the NEX-3, looking a lot like a Sony T-series camera with a grip and a big lens screwed onto the front. Seems Sony engineers had the same idea already, likely even before we saw the concept "wood block" models. " Smaller and more aggressive." That's what I was silently hoping Sony's engineers would do after seeing the concept models at PMA 2010. NEX-3A cameras with the 16mm lens will sell for US$550, while the NEX-3K cameras with the 18-55mm will sell for US$650. The NEX-5A will ship in July with the 16mm lens for US$650, while the NEX-5K with the 18-55mm lens will sell for US$700.
Defocus highlights color finesse pro#
Two converters will also ship for use with the 16mm lens: an Ultra Wide Converter with a 12mm equivalent view, and a Fisheye Converter.įinally, an 18-200mm f/3.5-6.3 OSS lens is planned for shipment some time this year.īoth the Sony NEX-5 and NEX-3 accept both Memory Stick Pro Duo/Pro-HG Duo/Pro-HG HX Duo and SD, SDHC, and SDXC media. Both have a beautiful aluminum barrel in brushed gunmetal gray.Īn adapter is available for mounting Alpha lenses, but autofocus will be disabled with the NEX cameras. The first is a fairly standard 18-55mm f/3.5-6.3 lens with Optical SteadyShot, and the second is a 16mm f/2.8 pancake prime lens. Though by name the new cameras are Alphas, they no longer use the Alpha mount instead Sony has christened a new E-mount, for which two lenses will ship right away, both as kit lenses.
![defocus highlights color finesse defocus highlights color finesse](https://i.pinimg.com/originals/19/42/54/19425489cf38272f0acaeed60a65fba5.jpg)
With TruBlack technology borrowed from Sony's picture frames, shooting in or out of doors is a pretty good experience.
![defocus highlights color finesse defocus highlights color finesse](https://i.pinimg.com/originals/66/17/07/661707b5e286ee6782a833f01ec044ac.jpg)
The surprise is that the super-slim LCD tilts up 80 degrees and down 45 degrees for easy viewing.
Defocus highlights color finesse upgrade#
As if that weren't enough, Sony's also announcing an upcoming upgrade (even before the cameras ship!) that will enable a special 3D Sweep Panorama mode that will work with several as-yet unannounced Bravia TV sets coming in July 2010.īoth the Sony NEX-5 and NEX-3 sport a wide, 3-inch LCD with 921,000-dot resolution. Several hot features were brought over from recent Alphas and Cyber-shot digital cameras, including Sweep Panorama, Auto High-Dynamic Range shooting, Handheld Twilight, and Anti-motion-blur modes, each of which strategically combine and align several images into one seamless one.
Defocus highlights color finesse 720p#
(Panasonic's GH1 was the first to take on this challenge, but only Panasonic's HD lenses support these advanced features, not every Micro Four Thirds lens.) Video is indeed the one major area, aside from size, where the two new cameras differ: The NEX-5 supports 1080i AVCHD video recording, while the NEX-3 is limited to 720p video capture.Ī 14-megapixel Exmor APS HD CMOS sensor is responsible for the high quality we found in the images from both cameras, and a new Bionz processor is also hard at work in the two cameras. Easily the biggest news, though, is that the Sony NEX series is the first interchangeable lens digital camera system designed to tackle continuous autofocus and exposure adjustment while recording video, where all the components, bodies and lenses, support the feature.
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There are so many interesting innovations in the Sony NEX-5 and NEX-3, that it's difficult to know where to start.